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煮茶聊詩
討論板名:煮茶聊詩 http://chiushui.org


文章標題:暫貼        琹川的IP位置:163.20.3.11
魔樹的呼喚   琹川
──讀洪揚《蜂之戀》

風來了又走,花開了又謝,萬物嗅著天地中神秘幽微的氣息,依時興凋,彷彿這劇本早就寫好了,情節的安排與結局的變化,皆已設定明白。然而聚散如浮雲,分合若情緣,生命的流程,卻又如此的詭譎多變,難以預測,自恃聰明的人類,依表象而推演,遂有個人意念主宰,掌握命運之說。
而人果真能掌握命運,或者自以為「掌握」的背後,事實上仍被
某種未知的力量所設定著。

「我是隻喜瑪拉雅的蜂/宿命在山麓與魔樹之間/當野性的舞步跳盡 / 雀躍/為下一場遷徙」
在印度的喜馬拉雅山有一群蜂,每年要飛行千里,到遙遠平地上的一棵魔樹上築巢。他們藉著舞步傳遞訊息,昭告同伴之後,便開始了漫長的旅程。途中或雪硫貝颽Y些村落,但從不築巢,只以身體相疊成巢,將母蜂裹在中間。
「也陶~中饑渴/沿路疲憊耗盡我的生命/然而智者總能開釋/靈魂/肉體在巢內重生」
艱辛的行程難免有不幸死亡者,卻也有相繼新生者,生死輪轉,生命在不斷的生生滅滅中延續著,只為了那世世代代的使命──尋找那棵宿命的魔樹。於是在油菜花掌起千柱花蕊,綻成一片金燦花海的季節,牠們找到了魔樹,開始採蜜、築巢並且繁殖。等季節一過,又
千里跋涉飛回喜馬拉雅山麓。年年如此,代代相傳,路途雖遙,他們卻從不迷失,永遠有辦法到達目的地,如此清楚而篤定,誰說蜂族們不具有著某種智能呢?彷彿魔樹是磁場,牠們天生受其感應與牽引,體內自有一張清晰的路標圖。
「等這一世機緣孕育成熟//我將再度和你並肩/飛過前世的風光/來到心屬的魔樹/築巢/不論候鳥過境與否」
在交迭的生生世世中,如果是命定的情緣,幾度擦肩之後,總有再度攜手同行之時,共同將巢築在夢想的故枝,心靈的天堂,不管其他生物的來來去去,世界如何的變化迅速。喜馬拉雅山的蜂族們,依舊堅持他們自己的生活方式。
全詩至此,作者的意圖已隱然而現,是的,它可以是一首情詩,在流轉的生命中堅持的追求。而作者一開始也直指自己是喜馬拉雅山的蜂,藉著蜂群的習性寓意,漂泊之必然,等待之必然,追尋之必然,若是命定,只要堅持不渝,終有相應的一日。
近代生物科學家研究出,在釵h生物體內(包括人類),都存在有感應地球磁場的細胞,這些細胞均曾被發現帶有磁性顆粒,由氧化鐵組成,被認為是感應地球磁場,用以辨別方向的重要證據。
因此萬物之間相應的磁性強弱,相吸甚或相斥,或釵迨w有其內在的感應機制吧!誠如魔樹正是喜馬拉雅山蜂族們宿命的磁場,牠們藉著磁性的感應與牽引,沿著內在的路標圖追尋──而比翼相隨是你我命定的宿願,生命中相引的磁場,因著這已然存在的未知力量,讓我在幽幽世代裡、茫茫人海中不斷地尋找。
知者艾克哈特‧鐸利曾說:「你這個世界,是為了使宇宙的神聖目的,得以實現。」世界萬物在宇宙的意志裡演化運行,因此人類與眾生是一體而非隔離的,意識的全光譜包納了物理和非物理多重實相向度,本體是永恆的,形式有生、有死,而喜馬拉雅山的蜂群讓我們覺知了形式之下的永恆。
我們在宇宙意志的設定裡,於幽渺時空中,如魔樹的呼喚,彼此有著命定的相引磁場,藉著覺知與愛,成全這圓滿意志的追求。

洪揚的詩,因勇於嚐試而變化著各種不同的風貌,他的短詩靈巧精美如:也雩茈h問問野鶴 /頭上被木魚敲腫的是苞 /還是無緣萌芽的種子(春雨),前進是一步/後退是半生/我在路上寫意/一幅幅季節的生滅之美 (路)。
他的作品多數為抒情詩,婉美清新,細膩深刻:綿綿蓮田珍鎖一個夢/今夏且叫南風薰紅/如我一路著火的眸/尋你 楚楚頰暈(在水一方),不過是幾行字/字字墜成蝶屍/殘翼在心室顛沛(送你一朵玫瑰),熱情啊為何冬蟄/幽暗裡深守/一支濡濕的火柴/點不燃的世間承諾(浴火)。
洪揚的長詩似江河而下,清暢豪放:一杯子玫瑰/一杯子飄泊/是多情/是灑脫/是無緣之緣/是無結果的花朵/翩然來去使歲月著火/轉眼冷落/月光杯裡的我/紅塵依舊不能淡泊//不能淡泊/正應高粱來和/激情當舞曠野之歌……不醉的容顏/邀月飲天/廢墟裡營火放它湮沒/且見我姿態/不慟不艾/躍馬縱身----/再入紅塵(玫瑰紅)。
他喜歡看Discovery對於動物有民胞物與的悲憫襟懷:那刀進以誘人的弧度/挑動舌尖銷魂了味蕾/世人為之瘋狂/愛上你冰釋後的身軀/以為人間天上(藍鰭鮪),然而英雄怎會陣亡? /當雨季來臨/草原上的祖靈將會再度呼喊/一場場生命與生命的追逐/在日落與地平線間(Tear Mark - 獵陛^。
他寫歷史、古蹟,出入時空,蒼古悲涼:葬我於伊金霍洛/那蒼狼和白鹿的搖籃之地/復以千軍萬馬踏平/大漠之北只留/蒼鷹翱翔(一代天驕),塔裡的鐘沒人記得/何時曾經響徹/當一切回歸靜寂/金色古城/褪成瞳裡你的嘆息/一如端詳那杯/半截探出沙漠的月眉(敦煌)。
更難能可貴的是他還有一顆晶瑩純稚的童心,因此他的童詩別具一格:老天爺一定也回家了/我看見西邊的天空上高掛著一盞明燈/不知道祂要不要寫作業/老師說要 : 隨手關燈節約能源/我已經很累想睡覺了/老天爺的電燈還點著/希望明天祂不會被罰貍苳l (老天爺的電燈 - 月亮),有一天/來了兩隻大怪獸/硬硬的頭殼長著五根手指頭/一口吃掉我的好朋友/房子塌掉了/大家到處躲/最最最後只好離家出走(米蟲),雲口袋掉出的童年/跑去追逐一大群水花//玩累了/擠著牆腳嘻鬧 /竟在綠色的傘下睡著(下雨)。
洪揚念的是「自動控制工程學」,在科學園區工作,與詩扯不上任何關係,但我認為一個人若體內蘊藏著詩細胞,猶如迎向魔術的呼喚,是某種宿命,終有一天會尋隙顯露出來的。洪揚於生命遇困之時,在詩的創作裡重又獲得了心靈的安頓。當然每階段的創作都是一種實驗與學習,走出更純熟、圓融的詩境,對於執著而認真的洪揚世可以預期的。

作者: 琹川   時間:2003-03-27 00:00:00  來源:163.20.3.11
—回覆—       麗姬的IP位置:61.221.104.239

一篇精闢的賞析,能拉近讀者與詩間的距離,共享這份悸動
對作者的了解,使得詩評人更能貼切地接觸作者原創時的感動並詮釋給其他讀詩人

情感,思想與想像是構成文學的三大要素,而詩的趣味,也離不開
洪揚的詩流露自無盡的泉源,悠游於三者,應是天賦的直覺,
讓他自動這麼嘗試起來,非常可喜
也正由於他未受'傳統文學'的污染(請原諒我這麼說),所以有著一份樸拙的清新,來自最敏感,最真誠,最柔軟的本心試問,還有什麼比這個更可貴的?
沒有這些,藝術就空洞化了,一首徒具形式規格的"詩體"(屍體)
還能傳達什麼給人的?

至於技巧,假以時日,持續的學習摸索,就會日漸有所體悟的諸葛亮說過:
"學須靜也,才須學也
非靜無以成其學,非學無以廣其才"

加油了洪揚謝謝琴川詩評的分享



作者:麗姬   日期:2003-04-01 00:00:00 來源:61.221.104.239

—回覆—       粹的IP位置:61.222.73.172

>婓?腔?釬孬笭衱陂腕賸陑馞腔假蕺﹝?藩蕆僇腔?釬飲岆珨意??鷂?ㄛ>軗堤載?抇﹜腔?噫"(柝捶)

>祫黺撮,樑眕,厥鴦腔?類坰,憩衄垀闚昳腔>焆賅謠挲綎:
>"?髺珩,符?珩
>準髺眕傖,準眕符"(?憫)

珴珴啣翋湮睿?憫?腔鶇晟怮覜賸!

覜腔岆:
??腔?藝眕摯(郔笭猁腔)
??夔眻?粹腔陑眭耋扂醴垀奧婼剒贗薯腔窒爺

粹珨隅婬筳祭腔綎稛珨撫栳堤腔阨?婦賸厘摽腔釬粹載儕陑婖(?賸 債讙 眳摽
?腔覜紒侔綱衱鞣鞣隙賸)

晟惤趙傖珨曆
珴珴!

作者:粹   日期:2003-04-02 00:00:00 來源:61.222.73.172

—回覆—       洪揚的IP位置:61.63.0.76

《後記》: 緣生秋水


收錄青春的驛站風歇了歇腳
留下水藍色的夢想

那一夜我謄妥【金色樓蘭】, 附上個人的大頭照,黏好信封,貼足郵票,然後寄給狺j姐。大姐說,要建個人資料檔,作品必須親筆手寫。寄信之時,距大姐提及已逾一個月,距離我在《秋水詩刊》發表的第一首作品【如果】,已過 13 年了。
漫長的過程裡,我的文字寫作卻空白 10 年,重拾詩筆已是前年秋的事了。那時,"秋水網站"正熱絡地進行【秋詩篇篇】專題。而我一頭栽進,從此流連忘返。我發覺,我變身成一隻座頭鯨,在季節的海洋裡,在詩的泡泡網裡,瘋狂進食。隔年,我將身上儲藏多時的脂肪,一一化成詩句,一如座頭鯨在溫暖的繁殖海域,繁衍開來。
1978年,國一暑假,是段值得紀念的日子。救國團在當時的遠東工專舉辦暑期學生幹部研習營,我認識了一位形容詞當然是驚為天人的女孩。之後,即因琴川姐的影響,開始嘗試寫詩。在學生青澀的生活裡,感情有了寄託。
1985年於《秋水詩刊》發表第一篇現代詩作品,同時也有詩作在《葡萄園詩刊》發表,因而認識甡R怡狺j姐與吳明興先生。在陶多多往返的書信裡,前輩們的鼓勵,讓當時黃毛小子的我,銘記至今。當《秋水詩刊》刊出我的第一首童詩【天亮了】,《台灣詩學季刊》的"為兒童寫詩"單元,收錄我的【紅豆】及【百合花】時,我知道我不只要寫很棒的現代詩,還要寫更棒的童詩。我非常感謝狺j姐當時能刊用我的作品,促成現在念念不忘寫詩的我。而父母親賜給我的快樂的,美好的童年,是我這輩子能寫詩的根源,即使用一輩子來報答,都無法表達內心的感念於萬一。
一切都是機緣。2002年元旦,因為新店市公所舉辦的藝文嘉年華活動,在碧潭橋下,終於有機會與狺j姐見第一次面。相隔這麼多年,大姐仍殷殷叮嚀,要我記得寫詩,要繼續寫詩,要...... 啊! 詩心啊詩心,原來是這麼豐厚的感情,怎能不感動! 從此與"秋水"結下更不解的緣份。有多深刻呢? 已是超出我的肺腑之言。你能想像嬝知~來出刊的《秋水詩刊》時的感動嗎? 尤其是已故詩人古丁先生的作品。雖然,《古丁全集》出刊時我已有幸拜讀,然而更多的感動卻是在"秋水"裡產生,那樣的無以言喻。我更努力的創作了。
認識詩社的前輩們,讓我內心多了份寫詩的充實與滿足,還有一輩子的事業與使命。我喜歡前輩們耐人尋味的文字,而我也逐漸簡?寫詩是苦悶的象徵"那種風花雪月的心境。我愛寫詩,真的很愛寫。那種愉悅舒暢和快樂,筆墨難以形容。成詩的剎那,我知道我又愛上了一首詩。
1987年,我榮獲逢甲大學第一屆徵文比賽散文組第一名,卻一直獨鍾現代詩及童詩。我相信上蒼賦我寫詩的能力,絕不會只是寫寫而已。
詩的網路世界裡,魏展祺魏老師在"秋水網站"裡的一句: 詩寫生活。適時開拓了我詩的內涵和格局。我思索,我蛻變,我努力地去尋找生活裡的詩句,然後將它寫成詩篇。我感謝亦師亦友的王祥麟(溫哥華)、麗姬魚兒和春羽螃蟹的切磋與指導,於是產生了【街燈】、【落花】和【春露】等作品。因著春子和喬若飛的唱和,而有了【昨夜你來】和【蜂之戀】。之後就是【藍鰭鮪】和【金色樓蘭】。煙舞輕綾的贈詩,讓我寫出了【敦煌】。還有詩友貓,促成【童趣三首】的寫成──要感謝的人太多了,容我以一句"幸福感",深切帶過。
最應該感謝狺j姐和琴川姐了。《記憶失眠》能成書,多是她們的熱情促成。如果不是狺j姐的鼓勵和牽成,這本書又如何而得以面世? 我知道這些像蠶一樣,不斷增長的詩寶寶們,離大姐的期望還有一段不算短的距離,但是我相信我的努力! 它們會成蛹成蝶,在未來幾年,必然不會讓大姐失望。琴川姐刪文的奶玼u是──令人在揮痍措鵀o的大筆之後,仍深覺痛快到現在。我還能多說些什麼呢? 還是一句滿滿的感謝。
序的寫成,更讓我深刻體會前輩的疼惜。綠蒂先生與我,僅於 2002 年大年初八,因"秋水"每年的春遊而有一面之緣。前輩答應為拙作寫序之時,我興奮得無法成眠,到現在還深怕作品無法讓前輩滿意呢!

千言萬言,盡在不言;
千緣萬緣,其實不遠。
《記憶失眠》獻給你! 我親愛的朋友。希望它重拾你,每一次失眠的記憶。


謹以此書,獻給我親愛的師友們。謝謝大家的鼓勵,指導和愛護。

作者:洪揚   日期:2003-06-14 00:00:00 來源:61.63.0.76


〔秋水討論板 V2.0〕〔PHP+CodeIgniter版本作者:小p〕〔〕〔網站〕〔原作者:Yuzi工作室
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